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    Binode Behari Mukherjee (b.1904-d.1980) Benode (also Binod) Behari Mukherjee was an Indian artist mainly known for his mural paintings. The Bengal School of Art, Indian Society of Oriental Art, and Contextual Modernism all survived under one roof. A mong the Santiniketan artists, Benode Behari Mukherjee & Ramkinkar Baij stand out with their experimental flamboyance. From the solitary palm trees in Khoai region to the Santhal boys, bullock carts and the mud huts of Shantiniketan; all seem to convey a great ideological message- that of finding respite and spirituality in the mundane everyday life. He painted with a vast variety of mediums including watercolors, pen and ink, tempera, woodcut prints and all of these seem to be conveying the same message- that of finding respite and spirituality in the mundane everyday life. During his childhood, he suffered from an illness that affected his vision, making him blind in one eye and myopic in the other. It shows his trip to Japan, the Nepal period and the school that he established in Dehradun. He was one of the earliest artists in modern India to take up to murals as a mode of artistic expression. Born 1904, West Bengal, India He was taught under great artists like Nandalal Bose and went on to achieve great feats. Binode Behari Mukherjee (1904-1980) played a crucial role in the evolution of visual art in India. Experimenting constantly in his drawings, sketches, woodcuts, dry-points and lithographs, he soon diversified to mural paintings. He is one of the four great Indian artists of all the time who are featured in Contextual Modernism. His previous work – executed on paper or banana leaf parchment or as large-scale murals – had been largely representational, with subject matter ranging from flora from his native India to historical themes. The twenty minute documentary shows his early life and the many influences in his life. His perceptions of the Santiniketan landscape and campus life found artistic expression in several compositional calligraphic paintings. Contextual Modernism: A freedom to explore and innovate. Benode Behari Mukherjee on the set of 'The Inner Eye', Artist preparing paper cuts for the ceramic mural, Spiritual subject matter emerging from life experiences. This field is for validation purposes and should be left unchanged. Even on losing his eyesight, his creativity did not diminish, rather it diversified in media like drawings and small sculptures, paper-cuts and prints; he even a large mural in ceramic tiles based upon figural images by folding papers. David Zwirner is pleased to present an exhibition of work by Indian artist Benode Behari Mukherjee (1904–1980) at the gallery’s London location. During his visit to Japan in 1937-38, he produced a vast plethora of artwork that was strongly influenced by artists and curators he met in India and during his visit. Being myopic in one eye and blind in the other since birth, Benode Behari Mukherjee could not pursue normal schooling but born into a well-educated family in Behala, Bengal who recognised his exceptional interest in art and literature. Benode Behari Mukherjee imbibed to this idea of a context sensitive modernism. The Indian Freedom Movement that emerged at the beginning of the twentieth century shook the preconceived notions and structures that had existed in India for over two centuries. Benode Behari Mukherjee (1904 - 1980) was active/lived in India. Benode Behari Mukherjee, Untitled (flowers), 1960, blurred ink and wash brush strokes, A versatile genius- Murals and other media, Going through his paintings, one comes across media as diverse as 'ink and wash', 'calligraphy', 'pen and ink landscapes', 'pen and ink compositions', 'wood cut prints', 'collage on paper', 'tempera on paper'. A blind child from a poor family did not have much exposure to the grandiose and he aspired to create works that would kindle spirituality in the everyday things. Though Mukherjee turned completely blind by the time he turned 50, his creative urge remained undiminished. Author Avinash Subramaniam Published November 10, 2016 (22.9 x 31.8 cm. VADEHRA ART GALLERY D-40 Defence Colony, New Delhi 110024, India | T +91 11 24622545 / 24615368 D-53 Defence Colony, New Delhi 110024, India | T + 91 11 46103550/ 46103551 / 65474005 Mukherjee renounced the overt symbolism of mythology in favour of themes from everyday life. This is why he is associated with modernity in all spheres, from conceptualization to execution. He was able to pursue his vocation at the art faculty- Kala Bhawan at Shantiniketan. Born in 1904, Binode Behari Mukherjee joined the Vishwa Bharti University and Kala Bhavan at Santiniketan, in 1919. “Since then it’s been almost 20 years that I haven’t seen light. Benode Behari Mukherjee Benodebehari Mukherjee ( _bn. Mukherjee's disciple and one of the greatest film makers in India, Satyajit Ray directed a movie on his life called "The Inner Eye" that stars the artist himself. Benode Behari Mukherjee follow Reclining Man, n.d. Collage on paper 7 1/2 x 9 inches (19.1 x 22.9 cm) Framed: 22 5/8 x 16 3/8 inches (57.4 x 41.7 cm) Stay up to date of gallery exhibitions, news and events. Benode Mukherjee is known for Painting. He experimented with the Indian painting traditions of Rajput and Mughal miniatures, Western modern art, Far- Eastern traditions of calligraphy as well as Japanese and Chinese Ink And Wash style to create something befitting for the new India. The mural was done just before India’s Independence and in response to riots such as Noakhali’s; and is Benod Behari’s response to the division between Hindus … Buy Birbhum In Summer- Benode Behari Mukherjee - Bengal School Indian Painting, Art by Benode Behari Mukherjee as Digital Prints & Canvas Prints. He had Nandalal Bose and poet-Nobel Laureate Rabindranath Tagore for gurus, and he spent his most creative phase at the institute. He began making drawings and small sculptures based upon figural images achieved by folding paper. Another undervalued artist – the Indian modernist Benode Behari Mukherjee (1904-80) – is presented alongside Asawa at David Zwirner. The expressionism of his early works may be compared with the work of the German expressionist group Die Brucke. He was born with a chronic eye problem and completely lost his eyesight in 1956. He joined his alma mater as an art teacher in 1925. part 1: Anshuman Dasgupta talks about Indian artist Benodbehari’s 1946 mural ‘Life of Medieval Saints’. Mukherjee turned to paper collage as a medium for artistic expression in 1957 when he lost his sight, at the age of fifty-three. He worked across a wide range of media including drawing, print making, sculptures, paper collages and as well as large scale murals. ); 9½ x 12½ in. Benode Behari Mukherjee, Chitrakar - The Artist, Benode Behari Mukherjee, Untitled (Hunter), 1947, tempera on paper, 'The Inner Eye': The argument between eyesight and insight. Blending together Indian artistic traditions and Western Modernism, Benode Behari Mukherjee produced a remarkable variety of drawings, collages, wall frescoes and more. David Zwirner is pleased to present an exhibition of work by Indian artist Benode Behari Mukherjee (1904–1980) at the gallery’s London location. 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